El Espacio 23 to Unveil Exhibition on Territory Narratives

El Espacio 23, Miami's contemporary art space founded by philanthropist Jorge M. Pérez, is set to unveil its sixth exhibition, "A World Far Away, Nearby and Invisible: Territory Narratives in the Jorge M. Pérez Collection," on November 20, 2025. Curated by Claudia Segura Campins, Head of Collection at Museu d’Art Contemporani de Barcelona (MACBA), in collaboration with El Espacio 23 curators Patricia M. Hanna and Anelys Alvarez, the exhibition will run through August 15, 2026.

The exhibition features nearly 150 works by over 100 artists from the Americas, Europe, Africa, and beyond, exploring the multifaceted concept of territory. Through painting, sculpture, photography, video, and installations, the show examines territory as both a living organism and a cultural construct shaped by natural forces and human perception.

"Since we opened almost six years ago, all shows and efforts at El Espacio 23 have been dedicated to sparking discussion, reflection, and cross-cultural connection," said Pérez. "At a time when questions of identity, place, and belonging are at the forefront worldwide, this exhibition invites us to see territory not just as a physical place, but as a living, breathing force—shaped by history, memory, and imagination."

The exhibition is organized into four thematic sections:

1. The Pulse: Explores the raw force of the earth and its biological vitality, featuring artists like Pat Steir, Teresa Solar, and Mungo Thomson.

2. Landscapes in the Making: Deconstructs the colonial landscape tradition, with works by Chantal Peñalosa, Dalton Gata, Sandra Gamarra, Roberto Huarcaya, and Rember Yahuarcani.

3. Whispers from the Land: Considers territory as a living body interlacing the human, natural, and spiritual, showcasing artists such as Yann Gerstberger, Sandra Vásquez de la Horra, Ravelle Pillay, and Chris Ofili.

4. Shelter Among the Scars: Addresses the violence inflicted on the land and its regenerative force, featuring works by Dora Longo Bahía, Nohemí Pérez, and Mohau Modisakeng.

Miami-based artists Nina Surel and Jennifer Basile are featured for the first time in a public institutional setting, highlighting El Espacio 23's commitment to nurturing local talent. Additionally, Cuban-born artist Dalton Gata, known for his large-scale figurative paintings exploring themes of identity and culture, is among the featured artists.

"With this exhibition being my first of this scale within the United States, it feels especially timely and resonant that it explores the concept of territory, reflecting on how boundaries and perspectives shift across histories and worldviews," said Segura Campins. "The show amplifies the way territory is experienced, imagined and transformed, and its dual nature—as both a primordial, life-sustaining force and also a symbolic place where ancestral knowledge, traditions, politics, and communities converge."

By exploring the multifaceted concept of territory, the exhibition prompts viewers to reflect on themes of identity, place, and belonging. It challenges traditional perceptions of land and landscape, encouraging a deeper understanding of cultural memory, spiritual connection, and resilience. This is particularly relevant in today's global context, where discussions about borders, migration, and environmental stewardship are increasingly prominent.

El Espacio 23 is located in Miami's Allapattah neighborhood and offers free admission year-round. The exhibition will be open from November 20, 2025, to August 15, 2026, with operating hours from Thursday to Saturday, 10 am to 5 pm. Walk-ins are welcome, and guided tours can be arranged by contacting info@elespacio23.com.

"A World Far Away, Nearby and Invisible" offers a profound exploration of territory, inviting audiences to engage with diverse artistic interpretations that transcend physical boundaries. Through this exhibition, El Espacio 23 continues to foster cross-cultural dialogue and reflection, solidifying its role as a pivotal space in Miami's contemporary art scene.